Review - Pianoteq

January 28th, 2008

Physical modeling plug-ins I feel have taken two distinct paths; to emulate real world instruments, and to create instruments that are not possible or impractical to create in the real world. While both journeys have been taken for many years, the former, I’ve felt, has left me wanting for higher quality and realism along with the advantage of the real time control. While I’ve not been able to completely have my cake and eat it too, developments over the last year have taken great strides. A new-comer to the scene, Modartt, has created a physically modeled piano called Pianoteq. How convincing is this instrument? Let’s find out.

 

What is Pianoteq?

 

Pianoteq is a plug-in that is offered in VSTi/AU/RTAS formats for the PC running Windows XP and the Macintosh running OSX along with a stand-alone version.
Straight from their website, Pianoteq provides the following features and advantages–

  • The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals
  • It includes the entire complexity of a real piano (hammers, strings, duplex scale, pedals, cabinet)
  • No quantization noise (32-bit internal sampling at 192 KHz)
  • Real progressive variation of the timbre (127 velocities per note)
  • Adjustable hammer hardness (voicing) and other similar parameters
  • Adjustable unison width (tuning) and other similar parameters
  • Adjustable piano size (soundboard) and other similar parameters
  • Adjustable spectrum profile, based on the first 8 overtones
  • Progressive sustain pedal, allowing partial-pedal effects
  • Sostenuto pedal, harmonic pedal and Una Corda (soft) pedal
  • Microtuning with Scala format
  • Lid position (open, half-open, closed)
  • Stereo width slider
  • Key release velocity
  • Very fast to install and initialize
  • Total size is about 15 MB (MegaBytes)
  • It can be used successfully with a laptop (low hardware requirements)
  • Adjustable optional samples of acoustic noises (pedal and key release)
  • Built-in graphic equalizer with freely adjustable key points
  • Built-in graphic velocity curve with keyboard presets
  • Built-in reverb unit with presets

 

Installation

 

Installation was swift and smooth. I was up and playing Pianoteq inside of a few minutes. That is certainly something I haven’t been able to say about a piano library, ever, that I’ve actually liked.

 

In Use

 

My experience with Pianoteq was nothing short of amazing. My favorite sample pianos have changed over the years. From the “large” 64 megabyte Northstar Grand Gold Pianos samples for my EMu E64 back the late 90’s, to various GigaStudio format pianos over the years, to even the Yamaha P60 built in piano presets; all had their own unique sound but lacked a little something here and there. Moving from what Modartt dubs as the third generation of pianos (sampled instruments) to their fourth generation (physical modeling), the experience of significant decrease in load time, and the significant tweakability of the sound is astounding.
Playing the plug-in either on my synth action 76-key keyboard, or on my Yamaha P60 88-key graded hammer action keyboard, the performance felt alive in my hands. Having a real piano weighted keyboard makes a dramatic difference to the believability of the sound. I was still surprised on how good Pianoteq sounded even playing on a synth weighted keyboard.

 

From the softest touch to the strongest staccato hits, the 127 velocity layer coverage is apparent and certainly unprecedented in a sample library. I’m not aware of a sample library that will allow you to quickly re-pedal the sustain pedal, and still have a tiny bit of the sustained notes coming through either. This is just a small portion of the impeccable attention to meticulous detail that makes Pianoteq shine like the star it is.
Another neat feature of Pianoteq is the Random button. While the results typically don’t produce the next Yamaha C7 at your fingertips, it still produces some nice, usable sounds nonetheless. People who love experimental sounds will no doubt enjoy this little gem of a feature too.

 

High quality plug-ins usually comes at a price, and Pianoteq is no exception. On my AMD 3800+ X2 machine, the average CPU load is around 40%. Do note that Pianoteq is one of the few plug-ins that allow you to balance the load across both CPU’s at the same time. With the Multiprocessor option checked, the CPU load drops in half to around 20% load on each CPU core.
The following piece is an improvisational composition I wrote in one pass. This piece was written more for show of the full range of Pianoteq, so please forgive the occasional timing blunders in the playing. I want you to listen to how the bass notes resonate so beautifully, and how the sound of the hammer comes through on the high notes so realistically.

 

Conclusion

 

Finally, I feel the death knell is ringing for the overly bloated multi-gigabyte piano libraries. Not only is Pianoteq significantly smaller, the ability to manipulate the dynamics in real time is nothing short of breath-taking. Pianoteq makes you feel like you’re controlling the piano performance instead of the performance controlling your piano playing. While I’m sure large sample libraries will still have their place, I know I don’t stand alone in welcoming more with less. Now to wait for more models from Modartt…

 

Zero-G releases ECSTATIC GROOVES

December 26th, 2007

ECSTATIC GROOVES features over 2,200 24bit samples including over 1650 loops and 550 single hit sounds. Within this library you will discover a world of sample accurate drum and percussion loops, hand crafted drums and fx, all sculpted from the ground up to satisfy the needs of the demanding DJ and dance producer. Styles include Hard Dance, Trance, Techno, Progressive, House, Tribal and Dance. Each beat has been broken down into its constituent parts so you can mix and match to your heart’s content giving you endless possibilities for new grooves.

Also included is a diverse variety of material, from mid 90’s dance and house grooves, to hard European trance, to tribal progressive and tech house, and more providing the user with the facilities to easily break free of genre bonds and mix up sounds to form their own unique styles.

Formats:

  • Acidized Wav Files
  • AIFF Apple Loops
  • Stylus Compatible
  • Rex2 Files
  • EXS24 Instruments
  • Kontakt2 Instruments
  • Reason Refill

Featured sounds:

  • 1650 Rex2 Files (Stylus Compatible)
  • 2200 Acidized Wav Files
  • 2200 Aiff Apple loop Files

For full product info including demo songs and pdf of the full contents list, click here to visit the Ecstatic Grooves webpage on the Zero-G website.

Recommended Retail Price: $109.95 / €90 / £59.95

For more information, visit their web site at www.zero-g.co.uk.

FabFilter Pro-C 1.10 Compressor

November 27th, 2007

This new version of the Pro-C compressor plug-in introduces Undo/Redo and A/B comparison functionality.

Just released in August 2007, FabFilter Pro-C is a professional compressor plug-in with very high quality sound, flexible routing and side chain options, and various beautiful program dependent compression styles. The innovative user interface and animated level display make compression with FabFilter Pro-C easy to grasp for everyone.

This update is free for existing FabFilter Pro-C users. If you have not bought FabFilter Pro-C yet, version 1.10 grants you a new evaluation period to be able to try the new features.

FabFilter Pro-C is now available for EUR 149, USD 199 or GBP 109. It can be used on Windows and Mac OS X in VST, RTAS and Audio Units plug-in formats (both mono and stereo). Bundles with FabFilter Pro-C and other FabFilter plug-ins are also available.

Because of the overwhelming response and the continuous demand for upgrades, FabFilter has decided to extend the upgrade period until December 31, 2007. This means that existing FabFilter Timeless, Twin and Volcano users can crossgrade to FabFilter Pro-C for just EUR 99, USD 129 or GBP 69. See www.fabfilter.com/shop.

System requirements for FabFilter Pro-C are either Windows Vista, XP, 2000, 98, Me, or 2003, SSE-capable processor, and a VST 2 host or Pro Tools, or Mac OS X 10.3 (Panther) or higher, Intel or G4/G5 processor, and an Audio Units host, VST 2 host, or Pro Tools.

For more information, visit their web site at www.fabfilter.com.

Musicrow release Shaker Maker

November 27th, 2007

Musicrow releases Shaker Maker- new VST plugin that turns any rhythmic content into a convincing natural shaker rhythm.

Shaker Maker can produce a wide variety of shaker sounds, and you can shape your shaker to sound exactly the way you want it to.

 


For using Shaker Maker you should put it in the insert slot of your audio track, Then load a drum loop or any other rhythmic audio file to this track. You can also connect a microphone and use your own voice as the source for your shaker rhythm. Finally choose one of the 16 prepared shaker sounds, or shape your own shaker!

Shaker Maker is available for free at the Musicrow site.

For more information, visit their web site at www.mcrow.net.

Puremagnetic Releases Circuit:30

November 21st, 2007

 

Puremagnetik has released Circuit:30, a collection of multisampled sounds and loops based solely on analogue Moog® circuitry.

By employing a vast array of Moog® synthesizers, effects and control processors, Puremagnetik has captured the legendary sound of these “circuits” and has meticulously reprogrammed them for Ableton Live, Native Instruments Kontakt 2 and Logic/GarageBand.

Circuit:30 for Ableton Live

  • 30 multisampled instruments for Ableton Sampler
  • 30 Live Clips with integrated Effect Racks and Macro controls
  • 30 standalone Audio Effect Racks

Circuit:30 for Kontakt

  • 30 multisampled Kontakt instruments
  • Custom KSP easy edit user interface panels
  • Beat Machine looped phrases with integrated effects and automatic tempo sync

Circuit:30 for Logic (GarageBand, Soundtrack, Final Cut)

  • 30 EXS24 multisampled instruments for Logic
  • Extensive modulation routings
  • 30 Apple Loops with fully tagged meta data

For more information, visit their web site at puremagnetik.com.

New Inspiration Sounds releases

November 19th, 2007

Inspiration Sounds announces the release of Funked Up Bass Guitars and Funked Up Horns Sample Packs. Funked Up Bass Guitars Contents: 240MB Sample Pack. Includes both 1963 Fender Precision Bass loops and 5-String Bass Loops.Bass Guitars was recorded and produced in a state-of-the-art studio using Pro Tools HD ™ and the legendary Focusrite Control 24 Mixing Desk. All of the loops have been left dry without effects to give producers maximum flexibility. Initially recorded at 96 KHz 24-bit resolution then dithered down to 16-Bit 44.1 KHz to ensure compatibility with older software and keyboard samplers.

Specifications:
* 240MB Downloadable Sample Pack (Compressed into a .Zip File)
* Files are in .WAV Format / 16-bit 44.1 KHz
* Loops are BPM Synced for easy control in Acid, Reason, etc
* PC & MAC Compatible
* Royalty Free

Available to download today for £24.95.

Funked Up Horns

Features 120 Horn (Saxophone and Trumpet section) Riffs performed exclusively by one of the UK’s leading Trumpet players (Glastonbury, Hyde Park, Top of the Pops, MTV) and a world class Saxophonist. Essential for producing any style of music.

47MB Downloadable Sample Pack featuring 120 riffs in .WAV format. Includes riffs in these Keys: A, B, C, D, E, F & G.

Like all of the other “Funked Up” Sample Packs, the Horns were recorded and produced in a state-of-the-art studio using Pro Tools HD ™ and the legendary Focusrite Control 24 Mixing Desk. All of the loops have been left dry without effects to give producers maximum flexibility. Initially recorded at 96 KHz 24-bit resolution then dithered down to 16-Bit 44.1 KHz to ensure compatibility with older software and keyboard samplers.

Specifications:

  • 47MB Download Pack (Compressed into a .ZIP File)
  • Files are in .WAV Format / 16-bit 44.1 KHz
  • File Names indicate Key
  • PC & MAC Compatible
  • Royalty Free

Available to download today for £9.95.

For more information, visit their web site at inspirationsounds.co.uk.

NI announces KORE 2 Host System

November 18th, 2007

Native Instruments just announced that KORE 2, the second generation of its advanced multi-functional host system, is now available in stores worldwide. They have also announced the release of KORESOUND PACKS, a new line of affordable high-quality sound packs for use in KORE 2, the innovative instrument host system.

KORE 2

The new version significantly extends and refines the innovative concepts introduced and established with KORE—seamless integration of any software instruments and effects into a unified architecture, powerful realtime parameter control, and comprehensive sound access functionality. At the same time, KORE 2 expands its role by directly integrating powerful sonic capabilities with a comprehensive included sound library based on integrated NI instrument engines.

While remaining an open platform for all software instruments and effects, KORE 2 now also includes its own powerful sound capabilities, realized in an exceptional library of 500 specially designed studio-quality KoreSounds(R), each with multiple sound variations, covering all relevant musical styles and genres. The ready-to-use sound arsenal is based on the integrated engines of ABSYNTH, FM8, GUITAR RIG, KONTAKT, MASSIVE, and REAKTOR, and offers highly focused, musical sound shaping functions.

KORE 2 is available for a suggested retail price of $ 559 / € 499.

KORESOUND PACKS

KORESOUND PACKS are carefully engineered sound collections that allow musicians of various genres to selectively expand the sonic scope of KORE 2, taking full advantage of its integrated sound engines and the advanced sound morphing, control and categorization features of the system. Four different KORESOUND PACKS are immediately available, and additional collections with original content will be released in the future.

Equipped with six seamlessly integrated instrument and effect engines from award-winnning products like ABSYNTH, FM8, GUITAR RIG, KONTAKT, MASSIVE and REAKTOR, KORE 2 represents an extremely versatile and highly expandable next-generation music workstation concept. The KORESOUND PACKS build on this aspect of the system by providing additional high-quality sound material that is immediately usable for professional studio production and live performance.

Each sound in every KORESOUND PACK comes with consistent parameter mapping for the high-resolution KORE controller, allowing users to fine-tune and tweak every sound quickly and intuitively. Up to eight pre-assigned sound variations for every preset also offer extended tonal depth and variety, and a complete set of musical attributes for the powerful KORE sound browser makes it easy to integrate the sound collections into an existing preset library.

The first four available KORESOUND PACKS are “Best-Of” selections based on existing sound libraries of several acclaimed NI products. This includes “Best of MASSIVE”, featuring 200 KoreSounds taken from NI’s powerful next-generation wavetable synthesizer; “Best of REAKTOR Vol. 1″, a selection of cutting-edge electronic sounds from some of the most popular and unique REAKTOR ensembles; “Synthetic Drums Reloaded”, an assortment of 10 highly contemporary electronic drum kits; and “‘57 Drawbar Organ”, a collection of sample-based sounds that represent a legendary tone-wheel organ, complete with individual drawbar controls.

All KORESOUND PACKS are available for $ 59 / € 49 as downloads in the NI Online Shop. Every owner of KORE 2 is also eligible for a free download of one KORESOUND PACK of his choice.

For more information, visit their web site at native-instruments.com.

Musicrow Crow Gold Pack to v1.55

November 12th, 2007

The new update for Crow Gold Pack includes two new reaktor ensembles: Executer and Chaos.

Crow Executer is an unconventional distortion effect that was designed to deliver unnatural edgy distortion sound. Crow Chaos is a sound generator that produces synthesized chaotic textures-chime bells, wind, streaming water, electronic drowns, and other beautiful evolving sounds.

Other changes:
- Crow Drive has a new a stereo version.
- The noise problem with Crow Green Tape was fixed.
- New presets were added to many of the ensembles.

This is a free update for Crow Gold Pack users.

Crow Gold Pack now contains 37 ensembles for NI Reaktor 5, and costs €89 / $119.

More @ Musicrow.

Renoise 1.9 Final released

November 8th, 2007

The guys over at Renoise have released Renoise 1.9 Final

Renoise 1.9 is the first of the smaller updates to follow 1.8. For a 0.1 update there is a surprising amount of features.

Highlights of Renoise 1.9


Multi-core support

Renoise 1.9 will take advantage of all the cores in your multi-core processor to boost up performance, allowing you to add much more and heavier DSPs, tracks, VST FX and VST Instruments than before.

6 New DSP devices

New artillery for the loudness war: the Bus Compressor and Maximizer have been created without any concessions in regard to quality, with exceptional 64-bit dithering and feedback transient analysis. The Velocity Device opens a new world of level-driven FX manipulation. The other devices are Chorus, Distortion 2 and Gate 2.

Renoise 1.9 screenshot

Supercharged DSP devices

Existing DSPs have received an overhaul, including filter response graphs for the 64-bit EQ devices, the intuitive LPC frequency unit in the LFO device and 64-bit precision filter auxiliary sections. And that is just scratching the surface.

Improved MIDI support

Fast and stable MIDI timing through WDM MIDI drivers, adjustable jitter reduction for the MIDI Clock to improve external synchronization, hot-pluggable devices on OS X and non-blocking MIDI connections on Windows.

Preset handling for Renoise’s DSP devices

Organize your original DSP settings to have quick access to your signature sound, or get quality presets from other users to save yourself time. The A/B Comparison feature lets you switch between two configurations so you can decide which one sounds best.

Adjustable rulers in the Sample Editor

The rulers in the Sample Editor will help you to slice your beats. With a rightclick you can switch the scale. Enable Snapping to snap to the nearest division and you got yourself a homebrew beatslicer. Well, almost.

Per-Sample Interpolation and NNA

The interpolation mode and New Note Action (NNA) have been moved from instrument level down to sample level. Chiptune artists take notice, it is now possible to disable interpolation to preserve that authentic crunchy sound.

Renoise 1.9 Links

Stop wasting your time and check it out for yourself right now. Seeing is believing.

More @ renoise.com.

New Loopmasters release

November 5th, 2007

Hip Hop and RnB Breaks from Loopmasters is a great selection of Fresh Drumloops prepared ready for any samplist looking to add real groove and punch to any Hip Hop or RnB style production!

This great drumloop collection from Loopmasters includes 109 Rock Solid and Groove Maximised Hip Hop and Rnb Drumloops in tempos of 80 - 100 Bpm. The beats have a great live feel as many hits and much of the playing has been recorded live then carefully edited down to maintain a human feel, with rock solid tempo precision. These beats work really well in Hip Hop, RnB, Jazz, Downtempo kinds of music, and come highly recommended.
All of the samples in this pack have been created exclusively for this project and represent a great selection of groove ideas within the styles of Hip Hop and RnB. If you are looking to make the next smash record you will do well to sample these new drumloops and RnB Breaks from this pack.
You get 109 Wav Hip Hop drumloops alongside the same number of Rex2 Samples for instant control of pitch and tempo in the Mix.
As usual with all Loopmasters Cds and download packs, all material contained within this release is royalty free to use in your music.
Listen to the demo mp3 to get an idea of whats in the pack, and to see what great value and inspiration you get with the new Hip Hop and Rnb Breaks Samplepack from Loopmasters!

150 Mb Downloadable Sample Pack featuring 109 Wav Hip Hop drumloops, and 109 Hip Hop and Rnb Breaks in Rex2 format.

Hip Hop & RnB Breaks is available now for only £14.95.

More @  loopmasters.com.

SamplerBanks Releases Nord Modular G2

November 4th, 2007

SamplerBanks.com Releases “Nord Modular G2 series - Vol. 02. - ON STAGE” Sample Pack

Vibrating moments of stage - SamplerBanks.com releases the “Nord Modular G2 series - Vol. 02. - ON STAGE” dance/trance/house oriented sampler bank for Reason NN-XT, Kontakt 2, HALion 3, EXS 24 mk II and Emulator X/X2

The “Nord Modular G2 series - Vol. 02. - ON STAGE” is one of the latest downloadable sampler content from SamplerBanks.com.
This is a creative collection of more than 110 multi-sampled sounds recorded from the extraordinary Nord Modular G2 hardware synthesizer. All sounds are selected, layered and well crafted sampler presets. This is not a loop-collection, but a professional multi-sampled sound-set for musicians in mind.

If you produce any kind of popular music, whether it’s pop, dance, trance, house, techno, hip-hop, euro, etc. – you’ll love the sounds available in this package. Dark basses, evolving pads, sharp arpeggios and screaming leads are all there, key-mapped, looped and categorized. Real-time control possibilities are also added: just move the modulation wheel to change several parameters in real-time in order to make sound “breathe”! This unique sound-set utilizes the rich feature set of all these advanced sampler formats, without any conversion glitches.

The “Nord Modular G2 series - Vol. 02. - ON STAGE” library comes in five sampler formats that should suit every music producer:

* Propellerheads Reason NN-XT Refill (*.rfl) format
* Native Instruments Kontakt 2 Bank (*.nkb) format
* Apple EXS-EXSP 24 mk II sampler instrument (*.exs) files
* Steinberg HALion 3 Content File (*.hsb) format - also compatible with HALion Player
* E-MU Emulator X/X2 bank (*.exb) format - also compatible with E-MU Proteus X/X2

Complete PDF guide with detailed technical specification, instrument list and mp3 audio demo are available at samplerbanks.com.

Price: 29 USD - available as instant download

Wavescapes Studio is a development project in the music-industry specializing in creating quality multi-sampled sound banks for software and hardware samplers since 2004. The company that had some massive DVD sample material releases in cooperation with other sample vendors, now enters the on-line sample distribution market. Wavescape Studio offers uniquely optimized packages for the most popular sampler formats, distributed on-line by SamplerBanks.com.

For more information, visit their web site at samplerbanks.com.

“Sidechain Compression” Online Tutorial

November 1st, 2007

“Sidechain Compression” is db audioware’s second online tutorial video. Side-chaining, and side-chain compression in particular, is one of the hottest topics in digital audio production. More DAWs offer native support for the technique than ever before, but side-chaining in software is still thought to be a dark art, judging by the discussions on many audio forums.

The video presents a step-by-step introduction to two of the most popular applications of this useful technique:

  • In broadcast and at live events, Voice Ducking is the classic side-chain compression application in which background music is automatically reduced in volume to allow a voice-over to be heard clearly.
  • In dance music production, side-chain compression can be used creatively to open up space for drum loops and let the mix “breathe”.

The video features db audioware’s latest Sidechain Compressor plug-in, which is particularly suited to this tutorial role, since its side-chain operates in exactly the same way whichever audio software is in use, whether or not the software offers native side-chain support.

For more information, visit their web site at db-audioware.com.

Musicrow Releases for Minimoog V

October 31st, 2007

Musicrow Releases Classic Minitunes - Sounbank for Minimoog V

Classic Minitunes is a collection of 200 high-quality presets for Arturia Minimoog V. It is the second in a new series of soundbanks for Arturia vintage synthesizer recreations.

Classic Minitunes offers much more then just classic minimoog sounds. Old tricks were combined with the Minimoog V’s new features for the creation of an up-to-date colorful soundset. Biting leads, fat basses, beautiful pads, and many other surprising sounds will enrich the sonic palette of your Minimoog V.
Demo bank with 20 free presets is available for instant download.
Classic Minitunes is now available for €29 / $39.

More @ mcrow.net.

IK Multimedia’s CSR Review

October 30th, 2007

Over the years, no matter what reverb unit I’ve worked with in hardware or software, I’ve rarely been impressed. If they were good, they were wrapped in some big fat dongle also known as the PCI card or in some very expensive piece of high end gear. Naturally, I was skeptical with hearing initial reactions to how ‘good’ IK Multimedia’s Classik Studio Reverb (CSR) was. Native ‘verbs, by and large, have been the worst of the lot. But I’m always willing to set aside my prejudices and take a listen, and that’s just what I did.

 

What is CSR?
CSR is actually a suite of four reverb plug-ins; CSR Room, CSR Hall, CSR Plate and CSR Inverse. As each name implies, they are a room, hall, plate and inverse reverb plug-in respectively.

 

CSR comes in a variety of formats; VST and RTAS flavors for Windows XP and Vista clad boxes, and VST, RTAS and AU formats for OSX 1.4.4 and later Power PC-clad boxes, and OSX 10.4 and later for Intel-clad Macintosh boxes.

 

 

Copy Protection

 

Those of you who loathe dongles for protection and had heard that CSR used one, times have changed. IK Multimedia obviously took the criticism to heart and switched to a challenge/response system. Whether that’s really the lesser of two evils is up to you. While I’m not really a fan of either, the registration even from another computer was quite painless. Insert serial number, get system ID, paste to text document on a USB key, get the authorization code, run back to the DAW PC and register the product. It could have been much worse, but then again, it could have been a straight-up serial number too.

 

Documentation

 

The 52 page instruction manual goes over the basic feature set of the plug-ins. Overall, the manual is a bit light, but goes over each parameter well, with a smattering of tips along the way. Considering CSR offers 4 different reverb types, I’d love to see a reverb premiere of what’s best to use in what situation as well as creative uses for each type. Also, some of the Figure example pictures are so dark, you can’t read them, and are a bit pointless. Being printed in color would have probably fixed the problem.

 

In Use

 

Those who love the hardware ‘look’ even in their software effects will enjoy the slick interface each of the CSR modules share. Providing an Easy and Advance page for each module is also very welcome inclusion for a reverb effects module.

  

While most reverb units are fairly basic, CSR really went the extra mile with a good variety of parameters to choose from in advanced mode. High and Low cut EQ, reflection times, damping and more are all provided. What’s unusual too is the fact that there are modulation parameters via LFO and envelopes to tweak that can be applied to about any destination your heart desires. I still wish there was synch to tempo for the LFO and the ability to go higher than 10Hz for LFO rate for even more flexibility.

 

Macro controls are another feature that sets CSR above the pack as well. You have the ability to assign 4 sliders to up to 8 parameters that can all be changed at the same time. A very cool feature indeed as you’ll be able to automate more with less effort.

 

When it comes to testing out reverbs these days, I always load in EastWest Colossus to put it through its paces. With Colossus having such a wide variety of natural instruments, it’s my favorite choice to see how well each of the reverb types gel to the sound.

 

To start off, I left each module in Easy Mode. Taking a look at the short preset list, I’d select an appropriately named preset and begin to play. CSR performed like a good algorithmic reverb should; I listened to the instrument and wrote music and forgot that I even have a reverb effect turned on. CSR is not what I’d call a ‘transparent’ reverb, but that’s a good thing. It’s coloration of the sound was quite pleasant to my ears. Switching to advance mode also gave me the tweaks that I’d be after to ‘fix’ muddiness problems, for example. Excellent.

 

I was suitably impressed with the results of the Hall, Room and Plate reverb modules. Only the Inverse module, with its fairly metallic sound, didn’t impress me at all. I’ve heard better from the big metal (and substantially more expensive) boxes in this arena. Even so, and quite honestly, an inverse reverb effect would not be my usual go-to effect for my musical work; your mileage may vary with such an effect.

 

CPU usage on my AMD X2 3800+ system was amazingly low for such a good reverb. Most presets sat comfortably in the 10%-ish range. Impressive for a reverb that does sound so good.
If I had to ask for any ‘real’ improvements for CSR, it would be to add to the limited amount of presets. ArtsAcoustic really set the bar for me with a wide variety of instrument presets to allow me to load the right settings for the right instrument with next to no tweaking. While you can make your own presets, nothing beats a wide variety of ready made reverb presets when you’re in a hurry.

 

Conclusion

 

CSR, from the interface to the sound, is dressed to impress. Its silky smooth reverb sounds so luscious and improves the performance of nearly anything you pump through it. CSR does have its own flavor, so depending on what you want and like out of a ‘verb, the beauty is in the eye of the beholder. I feel pretty confident that most of you will find, while a little on the pricy side in the native plug-in market, CSR is an excellent and versatile reverb that you’ll want to consider in your bag of reverb tricks.

New Inspiration Sounds Release

October 27th, 2007

Inspiration Sounds has announced the Funked Up Percussion sample pack.


Features 210MB of downloadable Percussion Loops and Samples performed exclusively by one of the UK’s leading percussionists. This is the first release from the Inspiration Sounds download label.

Sample Content: 414 loops, 66 hits and 9 percussion rolls. Tempos range from 114 to 127 BPM. Instruments include: Agogos, Bongos, Cymbals, Congas, Cowbells, Egg Shakers, Shakers, Timbales, Triangles, Wood Blocks and more.

Suitable Genres: Ideal for use in Electro, House, Funk and Disco productions, but also suitable for Ambient, Hip Hop, Jazz, Pop, Soul, Techno, Trip Hop, World Music and many more styles.

The Recording Process: Funked Up Percussion was recorded and produced in a state-of-the-art studio using Pro Tools HD™ and the legendary Focusrite Control 24 Mixing Desk. All of the samples and loops have been left dry without effects to give producers maximum sonic control and flexibility. Initially recorded at 96 KHz 24-bit resolution then dithered down to 16-Bit 44.1KHz to ensure compatibility with older software and keyboard samplers.

Specifications:

  • 210MB Download Pack (Compressed into a .Zip File)
  • Files are in .WAV Format / 16-bit 44.1 KHz
  • Loops are BPM Synced for easy import into programmes like Acid
  • Loops can be stretched from 100 to 180 BPM
  • PC & MAC Compatible

Available for download for £19.95.

For more information, visit their web site at inspirationsounds.co.uk.